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Artist in Focus
- Metric
Fantasies (Metric Music
International)
Release Date: April 14, 2009
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When you hand over your money
for a concert ticket, what are you really paying for: some idea of the
performer you’ve gleaned from gazing longingly at album covers and
compulsively clicking YouTube videos, or the performer as they choose to
express themselves on that given day? Is the consumer entitled to a certain
expectation of the performance — a satisfaction-guaranteed procession of
“the hits”— or should the artist interpret the fan’s investment as a vote of
confidence, that the fan is willing to follow their every whim? |
In other
words, is the customer really king, relegating the artist to the role of a
court jester whose sole purpose is to entertain on demand? Or does the
artist, elevated up on the stage and paid for the privilege, still dictate
the terms of the contract?
For Metric frontwoman Emily Haines, all these questions came to a
head on the evening of March 30, 2008 at the Phoenix Concert Theatre in
Toronto. She was all set to perform the somber piano-based ballads that
comprised the two releases from her solo venture, The Soft Skeleton:
Knives Don’t Have Your Back and What Is Free To a Good Home? — much of
which were written following a time of great sadness and personal loss.
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But having performed those songs
so many times since Knives’ September 2006 release, Haines had an epiphany
during that Phoenix show — she didn’t want to be sad anymore. And she didn’t
want to play those songs. So, about 40 minutes into the show, she stopped
“Dr. Blind” mid-verse and said just that: “I don’t want to play these songs
anymore.” Instead, she spent the next half hour talking to her fans,
encouraging them to join her at the piano on stage and, for the grand
finale, pulling a kid from the audience for an impromptu duet on Metric’s
“Live It Out.”
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She was up for anything — except playing
those songs. Some disappointed Soft Skeleton fans in the crowd probably
thought the show was a trainwreck. But for Haines herself, it was about
getting her mind back on track — to the business of completing Metric’s
long-awaited fourth album, Fantasies.
But in order to come together,
Metric first had to drift apart. After touring non-stop between 2003’s
breakthrough release Old World Underground, Where Are You Now? and 2005’s
frenzied follow-up Live It Out, the four members of Metric sought sanctuary
in sideline pursuits — Haines threw herself into the Soft Skeleton and took
a soul-cleansing sojourn to Argentina; guitarist/co-founder Jimmy Shaw built
a neighborhood recording facility, Giant Studio, on Toronto’s burgeoning
Ossington Avenue strip with his neighbor Sebastian Grainger; while the
Oakland, California-based rhythm section of bassist Joshua Winstead and
drummer Joules Scott-Key toured their own garage-rock offshoot, Bang Lime.
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